8.30: REGISTRATION OPENS (Refreshments in the Ritz foyer)
9.15-9.30: Opening remarks
9:30-11.00: Keynote 1 (Chair: Neil Jackson)
The Psychogeography of British Trash Cinema: New Maps of the Field in England.I. Q. Hunter, De Montfort University, UK.
COFFEE BREAK (30 MINS)
11.30-13.00: PANEL A: Exploitation and home video (Chair: Tom Watson)
Grindigital: The Ghost of Grindhouse Present. Steve Jones, University of Northumbria.
VIPCO, “Shitco” and the Changing Face of Exploitation. Mark McKenna, Glyndwr University.
‘You’ve never seen anything like…’: The Criterion Collection’s Conceptions of Global Cult and Exploitation. Kate Egan, Aberystwyth University.
LUNCH: Ritz foyer (60 mins)
14.00-15.30: PANEL B:B-movies and surrounding critical discourse (Chair: Shaun Kimber)
Bollywood B-Movies: Cult Cosmopolitanism and the Reception of Indian Cult Cinema in the West. Iain Robert Smith, University of Roehampton.
Knowing the Unknown Beyond: New Italian Horror Cinema. Johnny Walker, Northumbria University.
“Pure, unadulterated crap” or a “pleasant surprise”: The Films of Edward D Wood Jr, Post-1960. Rebecca Bartlett, University of Glasgow.
BREAK (15 MINS)
15.45-17.30: PANEL C: Exploitation, Japanese style (Chair: Emma Pett)
Exploitation in Japan: Ero Guro Nansensu and Japanese Horror Cinema. Rachel Barraclough & Dave McCaig, University of Lincoln, UK
Ōru kaijū dai shingeki (All monsters attack!): The regional and transnational exploitation of the kaijū eiga. Steven Rawle, York St John University, UK
Japan’s1970sViolentchicks:Tōei‘pinkyviolence’filmsandtheJapanese sexploitation turn in the 1960s/1970s.Laura Treglia, University of Chester, UK
The global influence of Zatoichi, the blind Japanese swordsman – or, Move Over, Shogun Assassin. Jonathan Wroot, University of Worcester, UK
20:00: Conference Dinner in Lincoln City Centre
DAY 2 (29 May, 2015) The Ritz Cinema and Theatre
9.00: REGISTRATION OPENS (Refreshments in the Ritz foyer)
9.30-11.00: PANEL D: Indonesian exploitation cinema (Chair: Austin Fisher)
“The Real Guilty Pleasure”: Lady Terminator¸ Media Reception, and Public Censorship in Indonesia. Ekky Imanjaya (UEA)
Exploiting sex in 1990s Indonesian cinema; beyond a strategy for survival Ben Murtagh (SOAS)
COFFEE BREAK (30 MINS)
11.30-13.00: Keynote 2 (Chair: Johnny Walker)
Exploitation and the Empirical Imperative. Eric Schaefer, Emerson College, Boston US.
LUNCH: Ritz foyer (60 mins)
14.00-15.30: PANEL E: Selling and seeing exploitation in the sixties (Chair: Kate Egan)
Memories of Sexploitation Cinema in 1960s Britain. Emma Pett, University College London.
E. J. Fancey's Exotic Thrills: Selling global exploitation in 1960s Britain. Adrian Smith, Sussex University.
BREAK (15 mins)
15.45-17.30: PANEL F: New exploitation histories (Chair: Iain Robert Smith)
Bigger than a Payphone, Small than a Cadillac: John Holmes and Porn Stardom in Exhausted (1981). Neil Jackson, University of Lincoln.
Sagebrush and Sadism: Charting the Development of American Exploitation Westerns During the 1960s. Lee Broughton, University of Leeds.
Lost Histories: Late-career Mainstream Stars Working in Exploitation Cinema. Sarah Thomas, Aberystwyth University.