COLECLOUGH, Sharon (2017) The Laptop Tour; Redefining classical music performance spaces. In: sIREN Conference 2017: Arts and Digital Practices, 30-31 May 2017, ECA – Edinburgh College of Art, Scotland. (Unpublished)
Full text not available from this repository. (Request a copy)Abstract or description
The greatest challenge facing performers today is that of reaching an audience - particularly given expectations of availability and access as digital natives come of age. The Laptop Tour consists of a continuing project focussing upon solo performances from non-traditional concert spaces, creating a flexible approach to touring that challenges the conventions of the classical music concert. A single performance can be experienced in up to three ways: physically in the space, live streaming and archive access. This approach makes it possible to build a diverse following, creating an approach that can bring this art form not only to the urban world, but physical and virtual venues in the rural context - traditionally an arena under-served in terms of live performance. The project has a large potential for real world and digital community address whilst bridging genres.
Item Type: | Conference or Workshop Item (Paper) |
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Uncontrolled Keywords: | live to digital; classical music; audience; performance; concert space; social media; community |
Faculty: | School of Computing and Digital Technologies > Film, Media and Journalism |
Event Title: | sIREN Conference 2017: Arts and Digital Practices |
Event Location: | ECA – Edinburgh College of Art, Scotland |
Event Dates: | 30-31 May 2017 |
Depositing User: | Sharon COLECLOUGH |
Date Deposited: | 07 Feb 2020 10:45 |
Last Modified: | 24 Feb 2023 13:58 |
URI: | https://eprints.staffs.ac.uk/id/eprint/6132 |