“Everything will be okay in the morning” / ‘alles komt goed in de ochtend’

This project addressed essential questions regarding the historical significance of Kamp Westerbork, which is better known as a transit camp during the Holocaust. However, it also served as a site that has undergone several transformations, many of which are often overlooked. The initiative aimed to engage audiences more deeply with the camp's extensive archives and complex history, encouraging reflection on its historical context and its implications for future generations.

The exhibtion incorporated a variety of media-based artworks, including installations that combined visual elements, auditory components, and authentic archival items. These curated artistic strategies were designed to create a coherent narrative that promotes reflection on the lessons learned from history. Ultimately, the project sought to emphasize the critical importance of memory and awareness in fostering a more empathetic and equitable society.

The exhibition opened with a symposium featuring a roundtable discussion that included myself, artist Raphaela Kula, photographer Jacob Ganslmeier, and exhibition designer Ronit Eden. The catalogue 'De herinnering aan Kamp Westerbork' was published at the conclusion of the program.