ESTIBEIRO, Marc (2017) The Impact of the Digital Instrument and the Score on Controlled Improvisation When using Acoustic Instruments in an Electroacoustic Context. International Computer Music Conference, 43. pp. 443-447. ISSN 2223-3881
GRAHAM, Fiona and OTTEY, Paul (2017) First World War Tank Deborah makes her final journey. ForcesNet - British Forces Broadcasting Service.
PAYLING, Dave (2017) Lumia and Visual Music: Using Thomas Wilfred’s Lumia factors to inform audiovisual composition. eContact! Online Journal for Electroacoustic Practices, 19 (2).
LULKOWSKA, Agata (2017) Representing Inter-culturally on the Example of Indigenous Filmmaking of Colombia. In: MediAsia2017 Conference Proceedings Online. Iafor, MediAsia2017, Art Center Kobe, Kobe, Japan. ISBN 2186-5906
MCKENNA, Mark (2017) Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution. In: Cult Media Re-packaged, Re-released and Restored. Palgrave Macmillan, London, pp. 31-47. ISBN 978-3-319-63679-5 978-3-319-63678-8
SPEED, Steven (2017) Evicting Manchester’s street homeless. In: The Violence of Austerity. Pluto Press, pp. 203-211. ISBN 9780745399485
WAITE, Si (2017) The Use of Metaphor in Interactive Systems for Singer-Songwriters. In: Tracking the Creative Process in Music 2017. Tracking the Creative Process in Music. (Submitted)
COLECLOUGH, Sharon (2017) The Future is Past - Sonic Scrying in Film. In: Resonant Edge Symposium, 13th-17th June 2017, Edge Hill University. (Unpublished)
COLECLOUGH, Sharon (2017) The Laptop Tour; Redefining classical music performance spaces. In: sIREN Conference 2017: Arts and Digital Practices, 30-31 May 2017, ECA – Edinburgh College of Art, Scotland. (Unpublished)
ESTIBEIRO, Marc (2017) Composing with Microsound: An Approach to Structure and Form when Composing for Acoustic Instruments with Electronics. In: Innovation in Music 2017, 6th - 8th September, University of Westminster.
ESTIBEIRO, Marc (2017) Transcending borders between the acoustic and the electroacoustic: redefining boundaries through composition for sensor enhanced bass clarinet. In: Eighth International Conference on Music and Sonic Art: Practices and Theories (MuSA 2017), 6th - 9th July 2017, Karlsruhe, Germany.
GRAHAM, Fiona and OTTEY, Paul (2017) History isn't always 'horrible'. In: Learning about history using film technology, November 15th 2017, Staffordshire University. (Unpublished)
GRAHAM, Fiona and OTTEY, Paul (2017) World War One - film technologies capturing the history of tank warfare. In: Deborah the First World War Tank, 2018, Kings School, Congleton.
GRIFFITHS, Stephen (2017) “Serious offences with male persons”: the media representation of the ‘forgotten’ gay campaigner Peter Wildeblood (1923–99). In: 50 years since Decriminalisation, Keele University.
LULKOWSKA, Agata (2017) Indigenous Filmmaking with Mainstream Ambitions: Intercultural Communication transcending Established Order. In: Third International Conference on Communication & Media Studies, 18-19 Oct 2018, University of California, Berkeley. (Unpublished)
LULKOWSKA, Agata (2017) Narratives of violence through indigenous eyes: Arhuaco filmmaking as a response to forced displacement. In: La Paz es Ahora, 29 Sept 2017, Newcastle University. (Unpublished)
LULKOWSKA, Agata (2017) Transcending the borders of ‘indigenous’ filmmaking in Colombia’. In: International Conference Border Subjects/Global Hispanisms, 24-25 November 2017, The Birkbeck Institute for the Humanities Centre for Iberian and Latin American Birkbeck, University of London. (Unpublished)
RUDGE, Peter (2017) Connecting non-traditional, regional creative clusters to global sector and research networks. In: Forming Transatlantic Networks through the Creative Industries, 5-7 June 2017, Chapman University, CA. (Unpublished)
STUBBS, Andrew (2017) The Indie-Auteur and Television: Steven Soderbergh and The Knick. In: The American New Wave: A Retrospective, Bangor University.
STUBBS, Andrew (2017) The Knick and Peak TV: Talent Managers and their Indie-Auteur Clients. In: TRANS TV, Westminster University.
STUBBS, Andrew (2017) The Knick: A Convergence between Exploitation Cinema, Independent Film, and Quality TV? In: Exploitation Cinema in the 21st Century Canterbury Christ Church University, Canterbury Christ Church University.
THOMASON, Carmel and KEVERN, Peter (2017) Journalistic Storytelling: Towards a personal and collective understanding of health and illness. In: Association for Medical Humanities Annual Conference 2017, 28-30 June 2017, Keele University. (Unpublished)
MCKENNA, Mark (2017) Rethinking the 'video nasties' : economics, marketing, and distribution. Doctoral thesis, University of Sunderland.
ZIOGA, Polina (2017) Live Brain-Computer Cinema Performance. Doctoral thesis, Glasgow School of Art.
GRAHAM, Fiona (2017) Graham, Fiona and Title Role Productions, Manchester and Sky Television, Crime and Investigation Channel (2017) Shannon Matthews - The Disappearance. [Artefact]
GRAHAM, Fiona and OTTEY, Paul (2017) Shaping Europe- The Post War Fallout. [Artefact]
GRIFFITHS, Stephen (2017) Archival research and historical consultant for the BBC Four & The Open University documentary series on Five Decades of LGBT+ life in Britain for 7 Wonder, Birmingham. Tx. date, 2017. [Artefact]
OTTEY, Paul and GRAHAM, Fiona (2017) The Untold Holocaust and Hitler's Testing Ground. [Artefact]
ESTIBEIRO, Marc (2017) Open Borders. [Composition] (In Press)
WAITE, Si (2017) Piece for Tape. [Composition]
GRAHAM, Fiona and OTTEY, Paul (2017) First World War research by Staffordshire University - British Forces Broadcasting Service Television. [Video]
PAYLING, Dave (2017) Neon Vibration. [Video]
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