a
      
      
        -
      
      
        n
      
      
        
      
      
        the
      
      
        
      
      
        artists
      
      
        
      
      
        information
      
      
        
      
      
        company
      
      
        
      
      
        v
      
      
        
      
      
        41
      
      
        signpost
      
      
        Biennial had not had any kind of 
      
      
        activity like this for the thousands of 
      
      
        extra artists, curators, journalists and 
      
      
        collectors who descend on the city 
      
      
        during that weekend. CAVE provided 
      
      
        this for Liverpool Biennial 2012.
      
      
        With no funding, a little sponsorship, 
      
      
        a hefty feasibility study, and a lot 
      
      
        of goodwill CAVE manifested as a 
      
      
        showcase of 45 of the most exciting 
      
      
        artists working in the UK today 
      
      
        without representation from a UK 
      
      
        gallery. Consultation with over 50 
      
      
        artist-led organisations helped 
      
      
        shortlist the artists and it was 
      
      
        decided that any sales made would be 
      
      
        commission-free. Flis and I did CAVE 
      
      
        with no financial gain whatsoever. 
      
      
        It wasn’t about making money 
      
      
        ourselves, but proving money could 
      
      
        be made in this city from the sale of 
      
      
        art (which we were told repeatedly 
      
      
        wasn’t ever going to happen!) If 
      
      
        a market can be built or even just 
      
      
        stimulated, which we hope CAVE did, 
      
      
        then the ball has been rolled for the 
      
      
        good of all of us, as artists operating 
      
      
        in this city. It’s that same Royal 
      
      
        Standard ethos that definitely came 
      
      
        into play when setting up CAVE.
      
      
        
      
      
        
          Would you do it again? 
        
      
      
        I don’t know if CAVE will happen 
      
      
        again, maybe it was part of a 
      
      
        particular moment in time that felt 
      
      
        right. It’s not up to us as two artists 
      
      
        to create or maintain a market for the 
      
      
        sale of art in this region, it just needed 
      
      
        us to provoke the idea, to shake things 
      
      
        up. I’d hope that if something like 
      
      
        CAVE happened again, somebody else 
      
      
        would take the initiative to do it – if 
      
      
        they had the balls!
      
      
        
      
      
        
          you didn’t go down the route of 
        
      
      
        
          doing an MA after graduating, why 
        
      
      
        
          was that? 
        
      
      
        I didn’t do an MA straight after 
      
      
        graduating because I didn’t get on 
      
      
        one! I applied for and contemplated 
      
      
        a few, and have since. Several years 
      
      
        later I had interviews in mainland 
      
      
        Europe. But in retrospect, all these 
      
      
        things would have been wrong – I was 
      
      
        too young. I think an MA is something 
      
      
        you should do when you hit a wall, 
      
      
        when you need that fresh impetus of 
      
      
        thinking to break you out of your day-
      
      
        to-day monotony of making (or indeed 
      
      
        not making). The Royal Standard has 
      
      
        constantly provided me with that 
      
      
        fresh impetus ever since I moved 
      
      
        back to Liverpool and I suppose 
      
      
        that is what has kept me here. I am 
      
      
        tentatively considering applying for 
      
      
        an MA next year, maybe, who knows, 
      
      
        it depends on what happens next 
      
      
        at The Royal Standard. I could find 
      
      
        myself accidently here for another 
      
      
        eight years without really realising it!
      
      
        Kevin Hunt, 2012.