Items where Division is "Film, Media and Journalism" and Year is 2017

Article

ESTIBEIRO, Marc (2017) The Impact of the Digital Instrument and the Score on Controlled Improvisation When using Acoustic Instruments in an Electroacoustic Context. International Computer Music Conference, 43. pp. 443-447. ISSN 2223-3881

GRAHAM, Fiona and OTTEY, Paul (2017) First World War Tank Deborah makes her final journey. ForcesNet - British Forces Broadcasting Service.

PAYLING, Dave (2017) Lumia and Visual Music: Using Thomas Wilfred’s Lumia factors to inform audiovisual composition. eContact! Online Journal for Electroacoustic Practices, 19 (2).

Book Chapter, Section or Conference Proceeding

LULKOWSKA, Agata (2017) Representing Inter-culturally on the Example of Indigenous Filmmaking of Colombia. In: MediAsia2017 Conference Proceedings Online. Iafor, MediAsia2017, Art Center Kobe, Kobe, Japan. ISBN 2186-5906

MCKENNA, Mark (2017) Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution. In: Cult Media Re-packaged, Re-released and Restored. Palgrave Macmillan, London, pp. 31-47. ISBN 978-3-319-63679-5 978-3-319-63678-8

SPEED, Steven (2017) Evicting Manchester’s street homeless. In: The Violence of Austerity. Pluto Press, pp. 203-211. ISBN 9780745399485

WAITE, Si (2017) The Use of Metaphor in Interactive Systems for Singer-Songwriters. In: Tracking the Creative Process in Music 2017. Tracking the Creative Process in Music. (Submitted)

Conference or Workshop Item

COLECLOUGH, Sharon (2017) The Future is Past - Sonic Scrying in Film. In: Resonant Edge Symposium, 13th-17th June 2017, Edge Hill University. (Unpublished)

COLECLOUGH, Sharon (2017) The Laptop Tour; Redefining classical music performance spaces. In: sIREN Conference 2017: Arts and Digital Practices, 30-31 May 2017, ECA – Edinburgh College of Art, Scotland. (Unpublished)

ESTIBEIRO, Marc (2017) Composing with Microsound: An Approach to Structure and Form when Composing for Acoustic Instruments with Electronics. In: Innovation in Music 2017, 6th - 8th September, University of Westminster.

ESTIBEIRO, Marc (2017) Transcending borders between the acoustic and the electroacoustic: redefining boundaries through composition for sensor enhanced bass clarinet. In: Eighth International Conference on Music and Sonic Art: Practices and Theories (MuSA 2017), 6th - 9th July 2017, Karlsruhe, Germany.

GRAHAM, Fiona and OTTEY, Paul (2017) History isn't always 'horrible'. In: Learning about history using film technology, November 15th 2017, Staffordshire University. (Unpublished)

GRAHAM, Fiona and OTTEY, Paul (2017) World War One - film technologies capturing the history of tank warfare. In: Deborah the First World War Tank, 2018, Kings School, Congleton.

GRIFFITHS, Stephen (2017) “Serious offences with male persons”: the media representation of the ‘forgotten’ gay campaigner Peter Wildeblood (1923–99). In: 50 years since Decriminalisation, Keele University.

LULKOWSKA, Agata (2017) Indigenous Filmmaking with Mainstream Ambitions: Intercultural Communication transcending Established Order. In: Third International Conference on Communication & Media Studies, 18-19 Oct 2018, University of California, Berkeley. (Unpublished)

LULKOWSKA, Agata (2017) Narratives of violence through indigenous eyes: Arhuaco filmmaking as a response to forced displacement. In: La Paz es Ahora, 29 Sept 2017, Newcastle University. (Unpublished)

LULKOWSKA, Agata (2017) Transcending the borders of ‘indigenous’ filmmaking in Colombia’. In: International Conference Border Subjects/Global Hispanisms, 24-25 November 2017, The Birkbeck Institute for the Humanities Centre for Iberian and Latin American Birkbeck, University of London. (Unpublished)

RUDGE, Peter (2017) Connecting non-traditional, regional creative clusters to global sector and research networks. In: Forming Transatlantic Networks through the Creative Industries, 5-7 June 2017, Chapman University, CA. (Unpublished)

STUBBS, Andrew (2017) The Indie-Auteur and Television: Steven Soderbergh and The Knick. In: The American New Wave: A Retrospective, Bangor University.

STUBBS, Andrew (2017) The Knick and Peak TV: Talent Managers and their Indie-Auteur Clients. In: TRANS TV, Westminster University.

STUBBS, Andrew (2017) The Knick: A Convergence between Exploitation Cinema, Independent Film, and Quality TV? In: Exploitation Cinema in the 21st Century Canterbury Christ Church University, Canterbury Christ Church University.

THOMASON, Carmel and KEVERN, Peter (2017) Journalistic Storytelling: Towards a personal and collective understanding of health and illness. In: Association for Medical Humanities Annual Conference 2017, 28-30 June 2017, Keele University. (Unpublished)

Thesis

MCKENNA, Mark (2017) Rethinking the 'video nasties' : economics, marketing, and distribution. Doctoral thesis, University of Sunderland.

ZIOGA, Polina (2017) Live Brain-Computer Cinema Performance. Doctoral thesis, Glasgow School of Art.

Artefact

GRAHAM, Fiona (2017) Graham, Fiona and Title Role Productions, Manchester and Sky Television, Crime and Investigation Channel (2017) Shannon Matthews - The Disappearance. [Artefact]

GRAHAM, Fiona and OTTEY, Paul (2017) Shaping Europe- The Post War Fallout. [Artefact]

GRIFFITHS, Stephen (2017) Archival research and historical consultant for the BBC Four & The Open University documentary series on Five Decades of LGBT+ life in Britain for 7 Wonder, Birmingham. Tx. date, 2017. [Artefact]

OTTEY, Paul and GRAHAM, Fiona (2017) The Untold Holocaust and Hitler's Testing Ground. [Artefact]

Composition

ESTIBEIRO, Marc (2017) Open Borders. [Composition] (In Press)

WAITE, Si (2017) Piece for Tape. [Composition]

Video

GRAHAM, Fiona and OTTEY, Paul (2017) First World War research by Staffordshire University - British Forces Broadcasting Service Television. [Video]

PAYLING, Dave (2017) Neon Vibration. [Video]