Stubbs-Lacy, Andrew (2025) Born to Be Sold: Mobilizing the Coen Brothers’ brand of independence and intertextual play for Mercedes. Short Film Studies. ISSN 2042-7832 (In Press)
Stubbs-Lacy, Andrew (2024) Disclaimer, Anonymous Content and single series auteur-directed television. Flow, 31 (3).
Stubbs-Lacy, Andrew (2024) Disclaimer, Anonymous Content and single series auteur-directed television. Flow, 31.
Stubbs-Lacy, Andrew (2024) I’m A Virgo: Boots Riley’s Critique and Product of White Cultural and Economic Hegemony. In: Black Image Making and Whiteness. Edinburgh University Press, Edinburgh. (In Press)
Stubbs-Lacy, Andrew (2023) Packaging the “Purest” form of Indie TV: Michael Sugar, Talent Management and Indie-Auteur Clients. In: Indie TV: Industry, Aesthetics and Medium Specificity. Routledge. (In Press)
Stubbs-Lacy, Andrew (2024) Macro’s Black Screen Production: critiques of capitalism and fantasies of escape. In: Society of Cinema and Media Studies Conference Chicago 2025, 03 April to 06 April 2025, Chicago.
Stubbs-Lacy, Andrew (2024) “We definitely are going to make billions, but we want to do it in a smart and thoughtful way”: Macro, amplifying marginalised voices, and the barriers of Hollywood’s industry logics. In: Media Industries 2024: King's College London, 16-19 April 2024, Bush House, King's College London.
Stubbs-Lacy, Andrew (2023) Quality, Professional Legitimation and Diversity: Propaganda Films and Anonymous Content. In: The Center for Communication and Society Studies Conference on Quality Screen Aesthetics, 17 January 2023, University of Minho, Braga, Portugal.