Stubbs-Lacy, Andrew (2025) Born to Be Sold: Mobilizing the Coen Brothers’ brand of independence and intertextual play for Mercedes. Short Film Studies. ISSN 2042-7832 (In Press)
Stubbs-Lacy, Andrew (2024) Disclaimer, Anonymous Content and single series auteur-directed television. Flow, 31 (3).
Stubbs-Lacy, Andrew (2024) Disclaimer, Anonymous Content and single series auteur-directed television. Flow, 31.
STUBBS, Andrew (2021) Music Video (De)Legitimacy and the Construction of a (Short Form) Auteur David Fincher and Talent Management. Short Film Studies Journal, 11 (2). ISSN 20427824
STUBBS, Andrew (2020) Packaging House of Cards and The Knick: How Talent Intermediaries Manage the Indie-Auteur Brand to Sell Premium Television. Critical Studies in Television: The International Journal of Television Studies, 15 (2). ISSN 1749-6020
Stubbs-Lacy, Andrew (2024) I’m A Virgo: Boots Riley’s Critique and Product of White Cultural and Economic Hegemony. In: Black Image Making and Whiteness. Edinburgh University Press, Edinburgh. (In Press)
Stubbs-Lacy, Andrew (2023) Packaging the “Purest” form of Indie TV: Michael Sugar, Talent Management and Indie-Auteur Clients. In: Indie TV: Industry, Aesthetics and Medium Specificity. Routledge. (In Press)
STUBBS, Andrew (2019) Spike Jonze, Propaganda/Satellite Films and Music Video Work: Talent management and the construction of an Indie-Auteur. In: ReFocus: The Films of Spike Jonze. Edinburgh University Press. ISBN 9781474447621
STUBBS, Andrew (2018) Creation as Recreation: Steven Spielberg and the Remake. In: Steven Spielberg: Hollywood Wunderkind and Humanist. Profils américains . Presses Universitaires de la Méditerranée. ISBN 978-2367812649
Stubbs-Lacy, Andrew (2024) Macro’s Black Screen Production: critiques of capitalism and fantasies of escape. In: Society of Cinema and Media Studies Conference Chicago 2025, 03 April to 06 April 2025, Chicago.
Stubbs-Lacy, Andrew (2024) “We definitely are going to make billions, but we want to do it in a smart and thoughtful way”: Macro, amplifying marginalised voices, and the barriers of Hollywood’s industry logics. In: Media Industries 2024: King's College London, 16-19 April 2024, Bush House, King's College London.
Stubbs-Lacy, Andrew (2023) Quality, Professional Legitimation and Diversity: Propaganda Films and Anonymous Content. In: The Center for Communication and Society Studies Conference on Quality Screen Aesthetics, 17 January 2023, University of Minho, Braga, Portugal.
STUBBS, Andrew (2022) Talent Representation and Diversity: Charles D. King, MACRO & M88. In: Communities and Communication Conference, 19th - 20th of May 2022, Online Event.
STUBBS, Andrew (2021) Talent Intermediaries: Anonymous Content and the Independent Packaging Technique. In: Television Histories in Developement, 30 September - 01 October 2021, Hilversum. (Unpublished)
STUBBS, Andrew (2017) The Knick and Peak TV: Talent Managers and their Indie-Auteur Clients. In: TRANS TV, Westminster University.
STUBBS, Andrew (2017) The Knick: A Convergence between Exploitation Cinema, Independent Film, and Quality TV? In: Exploitation Cinema in the 21st Century Canterbury Christ Church University, Canterbury Christ Church University.
STUBBS, Andrew (2017) The Indie-Auteur and Television: Steven Soderbergh and The Knick. In: The American New Wave: A Retrospective, Bangor University.
STUBBS, Andrew (2016) The Hudsucker Proxy: Joel Silver and ‘independent’ film funding. In: Kick Starting Media: Cultures of Funding in Contemporary Media Industries, Bath Spa University.
STUBBS, Andrew (2016) The Hudsucker Proxy: Joel Silver and the Coen Brothers – the dynamics of ‘independent’ and ‘mainstream’ film. In: University of Manchester Screen Industries: State of Play, University of Manchester.
STUBBS, Andrew (2016) Adaptation within Industrial Contexts: The Coen Brothers Post-2000. In: Journeys Across Media 2016 Conference, Reading University.
![[up]](/style/images/multi_up.png)
Up a level
