STUBBS, Andrew (2024) The Talent Management of Indie Authorship: From American independent cinema and short “films” to pay-TV and streaming. Edinburgh University Press, Edinburgh, Scotland. ISBN 9781474482646 (In Press)
STUBBS, Andrew (2022) Talent Representation and Diversity: Charles D. King, MACRO & M88. In: Communities and Communication Conference, 19th - 20th of May 2022, Online Event.
STUBBS, Andrew (2021) Talent Intermediaries: Anonymous Content and the Independent Packaging Technique. In: Television Histories in Developement, 30 September - 01 October 2021, Hilversum. (Unpublished)
STUBBS, Andrew (2021) Music Video (De)Legitimacy and the Construction of a (Short Form) Auteur David Fincher and Talent Management. Short Film Studies Journal, 11 (2). ISSN 20427824
STUBBS, Andrew (2020) Packaging House of Cards and The Knick: How Talent Intermediaries Manage the Indie-Auteur Brand to Sell Premium Television. Critical Studies in Television: The International Journal of Television Studies, 15 (2). ISSN 1749-6020
STUBBS, Andrew (2019) Spike Jonze, Propaganda/Satellite Films and Music Video Work: Talent management and the construction of an Indie-Auteur. In: ReFocus: The Films of Spike Jonze. Edinburgh University Press. ISBN 9781474447621
STUBBS, Andrew (2018) Creation as Recreation: Steven Spielberg and the Remake. In: Steven Spielberg: Hollywood Wunderkind and Humanist. Profils américains . Presses Universitaires de la Méditerranée. ISBN 978-2367812649
STUBBS, Andrew (2017) The Knick and Peak TV: Talent Managers and their Indie-Auteur Clients. In: TRANS TV, Westminster University.
STUBBS, Andrew (2017) The Knick: A Convergence between Exploitation Cinema, Independent Film, and Quality TV? In: Exploitation Cinema in the 21st Century Canterbury Christ Church University, Canterbury Christ Church University.
STUBBS, Andrew (2017) The Indie-Auteur and Television: Steven Soderbergh and The Knick. In: The American New Wave: A Retrospective, Bangor University.
STUBBS, Andrew (2016) The Hudsucker Proxy: Joel Silver and ‘independent’ film funding. In: Kick Starting Media: Cultures of Funding in Contemporary Media Industries, Bath Spa University.
STUBBS, Andrew (2016) The Hudsucker Proxy: Joel Silver and the Coen Brothers – the dynamics of ‘independent’ and ‘mainstream’ film. In: University of Manchester Screen Industries: State of Play, University of Manchester.
STUBBS, Andrew (2016) Adaptation within Industrial Contexts: The Coen Brothers Post-2000. In: Journeys Across Media 2016 Conference, Reading University.