Items where Subject is "W300 Music"

Article

RAMSAY, Benjamin (2013) Social spatialisation: Exploring links within contemporary sonic art. eContact! 14.4 — Toronto Electroacoustic Symposium 2011 (TES 2011), 14 (4).

WAITE, Si (2015) Reimagining the Computer Keyboard as a Musical Interface. Proceedings of the international conference on new interfaces for musical expression. pp. 168-169. ISSN 2220-4806.

WAITE, Si (2014) Sensation and control: indeterminate approaches in popular music. Leonardo Music Journal, 24. pp. 78-79. ISSN 0961-1215 (In Press)

Book Chapter, Section or Conference Proceeding

MCDONALD, Angus (2010) The Sound of The Fall, the Truth of this Movement of Error’: A True Companion, an A mbivalent Friendship, an Ethic of Truths. In: Mark E Smith and The Fall: Art, Music and Politics. Ashgate, Farnham, pp. 147-156. ISBN 978-0-7546-6867-1

Conference or Workshop Item

PAYLING, Dave (2015) Visually Inspired Visual Music from a Musician's Perspective. In: Understanding Visual Music Symposium, 10/06/2015 - 12/06/2015, Brasilia, Brazil.

RAMSAY, Benjamin (2013) Composing 'Volmet North', IDM sound sources in acousmatic music. In: From tape to typedef 2013, January 30, 2013 – February 2, 2013, University of Sheffield. (Submitted)

RAMSAY, Benjamin (2012) Paper and analysis of internal Clock by Monolake. In: ‘Extending Analysis: Emotion, Brain, Computation’ - De Montfort University, Leicester, UK., 29th February 2012, De Montfort university.

RAMSAY, Benjamin (2011) Social spatialisation: Exploring links within contemporary sonic art. In: Toronto Electroacoustic Symposium 2011, 10th – 13th August 2011, Toronto, Canada.

WAITE, Si (2015) Signal Analysis in Interactive Real-Time Music Systems. In: Noisefloor 2015, 27th-29th April 2015, Staffordshire University.

Composition

BRADBURN, John (2012) Dead Hand (album) Full length release on Darker Days Ahead records from Minnesota USA. [Composition]

RAMSAY, Benjamin (2009) Décalage: investigates sonic interactions between organic and synthetically produced ‘real world’ materials. [Composition]

RAMSAY, Benjamin (2010) Low-bypass: a long form composition of several movements as well as exploring a single sound source, in this case the jet engine. [Composition]

RAMSAY, Benjamin (2011) Papa November: Experimental music investigating compositional links between intelligent dance music and acousmatic music practices. [Composition]

RAMSAY, Benjamin (2011) Volmet North: Research investigating the compositional and sociological links between commercial beat driven music and the acousmatic tradition. [Composition]

WAITE, Si (2015) Kafka-Esque. [Composition]

Performance

BRADBURN, John (2012) Improvised live Performance of Electroacoustic Work as Yaldabaoth with Alexander Tucker, Modern Art Oxford 26.05.2012. [Performance]

BRADBURN, John (2012) Improvised live performance as Yaldabaoth at the John Hansard Gallery Southampton, 22nd September 2012. [Performance]

HOPKINS, Daniel, Gaffney, David, Ashworth, Jenn, Royle, Nicholas, Wild, Peter and Jenks, Tom (2013) Station Stories: Live performances at Manchester Piccadilly Station to a private audience. [Performance]

Video

PAYLING, Dave (2015) Circadian Echoes. [Video]

PAYLING, Dave (2012) PhD Composition Portfolio DVD. [Video]