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Items where Division is "Film, Media and Journalism" and Year is 2019

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Number of items: 26.


COLECLOUGH, Sharon (2019) Rausch und Lärm der Stadt. Expressionismus 09 Rausch, 09. pp. 99-108. ISSN 2363-5592


ESTIBEIRO, Marc (2019) Composing With Microsound: An Approach to Structure and Form When Composing for Acoustic Instruments With Electronics. In: Innovation in Music: Performance, Production, Technology and Business. Perspectives on Music Production . Routledge, UK. ISBN 978-1138498198

ESTIBEIRO, Marc (2019) Finders Keepers? Repetition, Meaning and Ownership in the Use of Recorded Sound. In: Again & Again Musical: Repetition in Aesthetics, Analysis and Experience, 25-26 April 2019, City University, London. (Unpublished)

ESTIBEIRO, Marc (2019) Improvising with electronics; encouraging classical guitarists to reframe and explore the natural sound of the guitar through the use of digital instruments. In: International Guitar Research Conference, 14-20 July 2019, Hong Kong, China. (Unpublished)


GRAHAM, Fiona (2019) Deborah the First World War Tank - Building Friendship in Peacetime. In: Building Friendship in Peacetime, November 12th 2019, Cumbria's Museum of Military Life in Carlisle Castle. (Unpublished)

GRAHAM, Fiona (2019) STOKE LIVES. [Show/Exhibition]

GRAHAM, Fiona and OTTEY, Paul (2019) Cambrai Tank 1917 Museum, Flesquieres, France. 2019. [Artefact]

GRAHAM, Fiona and OTTEY, Paul (2019) The Friend Making Machine: How a World War one Tank Built A Community. In: The Friend Making Machine, 19th November 2019, Sir Graham Balfour School, Staffordshire. (Unpublished)

GRAHAM, Fiona and OTTEY, Paul (2019) LIVING LEGACIES 1914-18 Digital Centenaries. In: Living Legacies 1914-18 From Past Conflict to Shared Future, May 20-21st 2019, PRONI, Belfast.

GRAHAM, Fiona and OTTEY, Paul (2019) The Last Great Synagogue of Auschwitz. [Video]

GRAHAM, Fiona and OTTEY, Paul (2019) Living Legacies 1914-18 From Past Conflict to Shared Future (AHRC funded), Belfast - ITV News. [Video]

GRAHAM, Fiona and OTTEY, Paul (2019) Using film narratives to understand the topography of The Battle of The Somme July 1st 1916. [Image]

GRAHAM, Fiona and OTTEY, Paul (2019) Using film to discover history locations in World War One. [Video] (In Press)

GRAHAM, Fiona, STURDY COLLS, Caroline, Argent, Natalie, Reid, Tom, OTTEY, Paul, ANDREWS, Thomas and LEE, Mel (2019) Co collaboration methods in film and archaeology content creation of Holocaust sites In Europe. [Artefact]


HORRIE, Christopher (2019) The development of the mass circulation media in the UK with reference to business strategies of Rupert Murdoch and his companies. Doctoral thesis, Staffordshire University.


LULKOWSKA, Agata (2019) Voice of the Arhuacos: Transcending the Borders of “Indigenous” Filmmaking in Colombia. The Journal of Communication and Media Studies, 4 (2). pp. 45-52. ISSN 2470-9247

LULKOWSKA, Agata (2019) Voice of the voiceless: agency and power struggles of indigenous filmmakers in Colombia. In: MeCCSA 2020 (Media, Communication and Cultural Studies Association), 8 January 2020, Brighton University. (Unpublished)


MCKENNA, Mark (2019) Resisting Redundancy: Sylvester Stallone and the Ageing Action Star. In: Persona Studies, 25-26 June, 2019, University of Newcastle. (Unpublished)

MCKENNA, Mark (2019) Sylvester Stallone and the Economics of the Ageing Actor. Celebrity Studies, 10 (4). pp. 489-503. ISSN 1939-2397

MORRIS, Ashley and WALKER, Oliver (2019) Farside (Short Film). [Video]


PAYLING, Dave (2019) Approaches to Composition in Visual Music: An Artist’s Reflection on Three Original Pieces. Leonardo Music Journal. ISSN 0961-1215

PAYLING, Dave (2019) Travellers and Sound System Protest: Matthew Smith’s Visual Commentary. Dancecult: Journal of Electronic Dance Music Culture, 11 (1). ISSN 1947-5403


RUDGE, Peter (2019) Beyond the Blue Economy: Building Creative Economies in Small Island Developing States. In: UN Expert Group meeting, 28/10/2019, UN HQ, Geneva. (In Press)


STUBBS, Andrew (2019) Spike Jonze, Propaganda/Satellite Films and Music Video Work: Talent management and the construction of an Indie-Auteur. In: ReFocus: The Films of Spike Jonze. Edinburgh University Press. ISBN 9781474447621


THOMASON, Carmel (2019) The Philip Astley Project – Celebrating the father of modern-day circus. Project Report. Staffordshire University. (Unpublished)


ZIOGA, Polina (2019) From Neurocinematics to Live Brain-Computer Cinema: Audience Research, Co-Authorship and Film Form. In: ECREA Film Studies Section conference ‘Research Methods in Film Studies: Challenges and Opportunities’, 18-19 October 2019, Ghent, Belgium.

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